The Cure – Friday I’m in Love

Practise the days of the week in your ESL class with this classic song, Friday I’m in Love by The Cure. These song lyrics include all the days of the week. This song is appropriate for basic level learners if you ignore the bridge.

To see suggestions on how to use this song in class, click here.

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Lyrics

I don’t care if Monday’s blue
Tuesday’s grey and Wednesday too
Thursday, I don’t care about you
It’s Friday, I’m in love
Monday you can fall apart
Tuesday, Wednesday break my heart
Oh, Thursday doesn’t even start
It’s Friday, I’m in love

Saturday, wait
And Sunday always comes too late
But Friday, never hesitate

I don’t care if Monday’s black
Tuesday, Wednesday, heart attack
Thursday, never looking back
It’s Friday, I’m in love

Monday you can hold your head
Tuesday, Wednesday, stay in bed
Or Thursday watch the walls instead
It’s Friday, I’m in love

Saturday, wait
And Sunday always comes too late
But Friday, never hesitate

Dressed up to the eyes
It’s a wonderful surprise
To see your shoes and your spirits rise
Throw out your frown
And just smile at the sound
Sleek as a shriek, spinning ’round and ’round
Always take a big bite
It’s such a gorgeous sight
To see you eat in the middle of the night
You can never get enough
Enough of this stuff
It’s Friday, I’m in love

I don’t care if Monday’s blue
Tuesday’s grey and Wednesday too
Thursday, I don’t care about you
It’s Friday, I’m in love
Monday you can fall apart
Tuesday, Wednesday, break my heart
Thursday doesn’t even start
It’s Friday, I’m in love

Do-do, do-do, do-do, do
Do-do, do-do, do-do, do
(Oh, oh, whoa, whoa)

The CureEnglish rock band

The Cure are an English rock band formed in 1978 in Crawley, West Sussex. Throughout numerous lineup changes since the band’s formation, guitarist, lead vocalist, and songwriter Robert Smith has remained the only constant member, though bassist Simon Gallup has been present for all but about three years of the band’s history. Their debut album, Three Imaginary Boys (1979), along with several early singles, placed the band at the forefront of the emerging post-punk and new wave movements that were gaining prominence in the United Kingdom. Beginning with their second album, Seventeen Seconds (1980), the band adopted a new, increasingly dark and tormented style, which, together with Smith’s stage look, had a strong influence on the emerging genre of gothic rock as well as the goth subculture that eventually formed around the genre.